Pour Paintings

“Viscosity” Pour Painting

My technique is based on the “simultaneous color printing” method devised by Stanley Hayter (1901-1988) in his etchings and lithographs. Hayter found that oil colors of different consistency not only did not blend, but they repelled each other. I pour oil colors of different viscosities onto a flat panel, and by tilting and manipulating the flow, I can control and create the image.

21 thoughts on “Pour Paintings

  1. Pingback: Viscosity Pour Painting « Maurice Sapiro Studio Gallery

    • The secret in thining is to have the colors mixed in varied dilutions. I use mineral spirits mixed with Liquin (Winsor Newton product) in various proportions as a basic thinner, stirred into the pigment until it is pourable. As long as the proportion of dilution in the different colors remains unequal, the paint will repel adjacent colors. I keep a spray bottle of mineral spirits handy, to break down the repelling action, where needed, to allow the colors to blend. I found that the mixture amounts are not critical, as long as each color has a diferent viscosity. It’s a lot easier to do than explain. Hope this gets you started. Thanks for looking.

  2. Several of these I was sure were photos of lava when I first looked. Lately I’ve looked into similar pour techniques with watercolor but this is the first I’ve heard of it being done with oil paint. I’ll try this. :)

  3. aargh I don’t know how to message you as me instead of lovers orchard, which is an entirely different blog site! But wanted to say I really enjoyed your paintings, your landscapes are really my kind of thing!! :) (carolyn morris)

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